Acknowledgements A Note on Language Glossary I: Chinese-language Film Titles Glossary II: Chinese-language Names (Persons, Film Companies, etc.) Glossary III: Chinese-language Terms and Phrases Illustrations Preface I NEW BEGINNINGS Chapter One: Locating Sinophone Cinema Chapter Two: The Sinification of Early Shanghai and Hong Kong Cinema II NEW DIRECTIONS Chapter Three: Huangmei diao pian Chapter Four - Caizi/Jiaren Romance in Disguise Chapter Five: Fanchuan Acting: Cross-dressing and Performative Transexualities III NEW IMAGINARIES Chapter Six: Tongzhi Articulations in Fengyue Films Chapter Seven: Transness: Hong Kong’s Bond Movies (Bangpian) IV NEW WAVES Chapter Eight: Tsui Hark: Accented Cinema Chapter Nine: Tsui Hark: Time-Bomb Cinema Chapter Ten: Tsui Hark: New Localisms Afterword Appendix: A Selection of Chinese-language Opera Film Avatars Filmography and TV Resources References
Acknowledgements A Note on Language Glossary I: Chinese-language Film Titles Glossary II: Chinese-language Names (Persons, Film Companies, etc.) Glossary III: Chinese-language Terms and Phrases Illustrations Preface I NEW BEGINNINGS Chapter One: Locating Sinophone Cinema Chapter Two: The Sinification of Early Shanghai and Hong Kong Cinema II NEW DIRECTIONS Chapter Three: Huangmei diao pian Chapter Four - Caizi/Jiaren Romance in Disguise Chapter Five: Fanchuan Acting: Cross-dressing and Performative Transexualities III NEW IMAGINARIES Chapter Six: Tongzhi Articulations in Fengyue Films Chapter Seven: Transness: Hong Kong’s Bond Movies (Bangpian) IV NEW WAVES Chapter Eight: Tsui Hark: Accented Cinema Chapter Nine: Tsui Hark: Time-Bomb Cinema Chapter Ten: Tsui Hark: New Localisms Afterword Appendix: A Selection of Chinese-language Opera Film Avatars Filmography and TV Resources References
